jennifer jacobs ucsb

His work was exhibited internationally at multiple biennales and festivals (Venice, Gwangju, Brussels, Manifesta, Johannesburg, Istanbul), at the documenta X in Kassel, several ISEA exhibitions, several Ars Electronica presentations and major museums, such as the P.S.1 MOMA, New Museum of Contemporary Art, ICC NTT Tokyo, YCAM Yamaguchi, Van Abbemuseum and others. He has received over 70 international prizes and awards for his works, including three Prizes at Bourges Electroacoustic Music Competition, the prestigious Magisterium Prize and Giga-Hertz Special Award, 1st Prize in Metamorphoses competition, 1st Prize in Yamaha-Visiones Sonoras Competition, 1st Prize in Musica Nova competition. This field is for validation purposes and should be left unchanged. BY Bill Faries, Jennifer Jacobs, and others August 31, 2022 Politics Biden says the U.S. will send an additional $1.3 billion in military and economic aid to Ukraine Center for Black Studies Research 4603 South Hall University of California Santa Barbara, CA 93106-3140 T 805.893.3914 F 805.893.7243 E cbsr-assistant@ucsb.edu. The EC2 project was realized by a team consisting of Roads as project manager, with software developers Jack Kilgore and Rodney Duplessis. %PDF-1.4 % He initiated and in 1986 co-founded GIMIK: Initiative Music and Informatics Cologne and served as chair for thirteen years. Jennifer Jacobs is Assistant Professor in Media Arts and Technology and Computer Science (by courtesy) at the University of California, Santa Barbara. He co-directs the "Four Eyes Laboratory" conducting research in the four I's of Imaging, Interaction, and Innovative Interfaces. Bekijk profielen van professionals die 'Jennifer Jacobs' heten op LinkedIn. Although computational tools and computer programs are used more now than ever it can be difficult to fully integrate technology into art and design because of how different each artist is. Furthermore, Ill discuss how collaborating with practitioners from art, craft, and manufacturing can diversify approaches to knowledge production in systems engineering and open new research opportunities in computer science. The lab focuses on computational-based creative explorations in the fields of data visualization, visual language, machine vision, computational photography, interactive digital installations and related directions addressing the impact of computation on visualization. He is especially interested in the motives and ways these communities collaborated with one another, how Cold-War derived technologies such as lasers and digital computers were enlisted for artistic purposes, and the presence of Cold War themes such as nuclear war, cybernetics, and the Space Race in art from the 1950s, 60s, and 70s. Jennifer Jacobs is a Ph.D. candidate at the MIT Media Lab in the Lifelong Kindergarten Research Group. In line with this vision, ECG builds new computational tools that enable artists, designers, and engineers to integrate core computational affordances with their own knowledge and practices. Her recent work focuses on progamming language and runtime support for cloud computing. His doctoral research examined the culture and technology of glassmaking in Renaissance Venice. The projects explore alternative, distributed and unintentional collaborations and expressions of these collectives. Jennifer's research is situated within the context of teacher education. Legrady's artistic works have been supported by awards from the Creative Capital Foundation, the Daniel Langlois Foundation for the Arts, Science and Technology, the Canada Council for the Arts, the National Endowment for the Arts, and a John Simon Guggenheim Fellowship in Visual Arts in 2016. Assistant Professor of Media Arts and Technology, University of California Santa Barbara. Department of English. MFA Computers in Fine Arts, CADRE, San Jose State University. His artistic works have exhibited at some of the most prominent cultural venues in the world. Professor Jacobs has authored numerous journal papers and chapters on a wide range of topics dealing with vision and the visual system. With Dr. Joseph Tilbian, he developed the Stride programming language aimed at simplifying development for interactive embedded and heterogenous systems. He attended Purdue University from 1992 - 1996, where he graduated with a B.S. We create new hardware and software interfaces that allow practitioners to combine computational abstraction, automation, and generativity with direct-manipulation, manual control, and physical materials. She completed a masters of science in the High-Low Tech group and an . Office: ED 3232, Single-Subject (SST, Secondary) Undergraduate research fellow at the Center for Black Studies Research. Much of her work involves developing and using spatial simulation models to integrate data from multiple field-based monitoring studies in order to generalize results to larger watersheds. In the mid 90s, his contribution to Inteational architectural discourse was further expanded by the coining and definition of the term "Transarchitectures" His approach: "we conceive algorithmically (morphogenesis); we model numerically (rapid prototyping); we build robotically (new tectonics); we inhabit interactively (intelligent space); we telecommunicate instantly (pantopicon); we are informed immersively (liquid architectures); we socialise nonlocally (nonlocal public domain); we evert virtuality (transarchitectures)". Defining this emerging field by advancing foundations and applications. Expressive Computation Lab website: ecl.mat.ucsb.edu. We develop domain-specific programming languages that allow practitioners to extend and modify software tools as they create. Elliot Hawkess research focuses on bringing together design, mechanics, and non-traditional materials to advance the vision of robust, adaptable, human-safe robots that canthrive in the uncertain, unstructured world. Santa Barbara, California, United States. Major: Black Studies & Sociology. Associate Post Doctoral Research Fellow Liu founded the NEH-funded Teaching with Technology project at UC Santa Barbara called Transcriptions: Literature and the Culture of Information (recently renamed Literature.Culture.Media) and his English Depts undergraduate specialization on Literature and the Culture of Information. When he arrived at UCSB, McCray became more interested in the history of nanotechnology and how it intersected with his prior research on the history of materials. He completed a postdoctoral fellowship at Stanford University, where he also earned his MS and PhD in Mechanical Engineering. A state-of-the-art research and teaching facility. Professor Early life and education. Art, Electronic Theater or Performance Jury. His work has received press fromoutlets such as the NY Times, BBC, Cell, Science, and the Late Show with Stephen Colbert. She also received an M.F.A. Trained in engineering and physics, he received the PhD in Electrical and Computer Engineering from McGill University, and MA and BA degrees in Physics from The University of Texas, Austin and Wesleyan University. Department of Electrical and Computer Engineering. He has authored more than 60 scientific articles, and has edited two books on immersive virtual reality. S lng "Trch dn bi" bao gm trch dn trong cc bi vit sau y trong Scholar. jscalzo@ucsb.edu 0000009268 00000 n She also received an M.F.A. He taught at Aveiro University (Portugal) and Federal University of Minas Gerais (Brazil). brennan boesch career earnings cameron boyce funeral cameron boyce funeral Jennifer Scalzo jscalzo@ucsb.edu Office: ED 3224. Hy th li sau. She also received an M.F.A. 0000004076 00000 n Department of Music. Monica Scafide That being said. Directs the Experimental Visualization Lab in Media Arts & Technology, Office: 2211 Elings Hall, lab: 2611 Elings Hall. Founder of J METHOD Fitness Providing UC Santa Barbara alumni a place to network and connect with fellow Gauchos; mentor and recruit students and young alumni; advocate for the UC system on a local, state or federal level; and much more. 223k Followers, 1,160 Following, 1,650 Posts - See Instagram photos and videos from JENNIFER JACOBS - Wellness Fitness & Nutrition (@jmethod) jmethod. His current major project, which he started in 2005 as a University of California multi-campus, collaborative research group, is Transliteracies: Research in the Technological, Social, and Cultural Practices of Online Reading. Jennifer Jacobs, PhD, is an Associate Professor in the Elementary Education Program at the University of South Florida. Extending Manual Drawing Practices with Artist-Centric Programming Tools In Proceedings of the ACM SIGCHI Conference on Human Factors in Computing Systems, Montreal, QC, Canada, April 2018. Christina Tague's research is focused on the interactions between hydrology and ecosystem processes and, specifically, how eco-hydrologic systems are altered by changes in land use and climate. University of California, Santa Barbara - Cited by 16,662 - visual neuroscience . 0000001180 00000 n degree at University of Vermont and a Ph. Rhetoric, UC Berkeley; MA English Language and Literature, University of Maryland). His research interests include algorithms for image synthesis, computational image processing, and computational photography, and he is a co-author of over 30 technical publications, including seven SIGGRAPH/SIGGRAPH Asia publications. In this talk, I argue that by developing methods to integrate computational production with manual and physical making, we can dramatically expand the expressive potential of computers and broaden participation in computational production. McCray entered the historians profession via his background in materials science and engineering. His book, Microsound (2001, The MIT Press) presents the techniques and aesthetics of composition with sound particles. Dr. Visell spent more than five years in sound, signal processing, and interactive technology research at leading technology companies. During 2002-2007 he was a member of the Board of Directors of the Electronic Literature Organization (ELO) and chair of the Technology/Software Committee of the ELOs PAD Initiative (Preservation / Archiving / Dissemination of Electronic Literature). Jacobs received her Ph.D. from the Massachusetts Institute of Technologys Media Lab and completed her postdoctoral research in the Computer Science Department at Stanford University. University of California, Santa Barbara. Based on funding mandates. Office: ED 2218, History-Social Science UCSB Center for Responsible Machine Learning. U.S. News & World Report - UCSB No. This research was sponsored by the National Science Foundation in 2007-2009 and resulted in a Best Paper award at the 2008 International Computer Music Conference. The experiments, projects and courses we do and offer contribute to the arts-engineering / scientific community in the following way: 1) Explore new forms of visualizations through implementation of advanced knowledge of visual language, image syntax and semiotics 2) Rapid testing of concepts through visual/spatial/interactive means 3) Address image-based research that are on the fringe of engineering / science research for artistic exploration. BEng, Systems Design Engineering, University of Waterloo, Canada. Ken Fields received a doctorate in Media Arts from the University of California at Santa Barbara. Facebook; Instagram; Vimeo; Linkedin . Associate Professor 0000000696 00000 n Office: ED 2218, English-Language Arts RHESSys is designed to provide science-based information about spatial patterns of ecosystem health and vulnerability in terms of water quantity and quality. MS, Geography, University of Toronto, Canada In line with this vision, ECG builds new computational tools that enable artists, designers, and engineers to integrate core computational affordances with their own knowledge and practices. 223K followers. Assistant Professor of Media Arts and Technology, Proceedings of the SIGCHI Conference on Human Factors in Computing Systems. 293: 0000007219 00000 n In 2004, he began researching a new method of sound analysis that is the analytical counterpart of granular synthesis called dictionary-based pursuit (DBP). Dr. Jacobs is a faculty member at UC Santa Barbara in Media Arts and Technology and Computer Science (by courtesy). Journal of Experimental Biology 204 (14), 2439-2446, 2001. BA University of Oregon, Computer Science, Media Arts and Technology. 805.893.3412 Department of Computer Science. University of California, Santa Barbara. He began his research in the field of British romantic literature and art. in Electrical Engineering in 1998 in the area of electron-beam lithography. GH Jacobs. He was visiting faculty at UCLA, Nova Scotia College of Art & Design, and the National Academy of Fine Arts, Budapest, Hungary. His first book, Wordsworth: The Sense of History (Stanford Univ. Verified email at ucsb.edu - Homepage. His commission for the Seattle Public Library, "Making Visible the Invisible", begun in 2005 is a permanent installation consisting of algorithms that statistically analyze the flow of books and other media that are checked-out daily from the library to map out how library culture is changing over time. for a Member company and need a Member Portal account? She works across the fields of computational art and design, human computer interaction, and systems engineering. Copyright 2023 The Regents of the University of California. She also received an M.F.A. His research includes haptic engineering and perception, robotics, human-computer interaction, analog, digital, and spatial sound, motivated by emerging opportunities in human-computer interaction, sensorimotor augmentation of the human body, soft robotics, and interaction in virtual reality. Amber Moran She is also affiliated with UCSB's Center for Responsible Machine Learning (CRML). Assistant Professor All Rights Reserved. 3) Broadening entry points into computer science learning by blending programming with art, craft, and design. Biography. Prior academic appointments were held at the Merz Akademie University of Visualization, Stuttgart, Germany (1996-2000); San Francisco State University (1989-2007); University of Southern California (1984-1988); California Institute of the Arts (1982-1984); and the University of Western Ontario (1978-1981). 0000004961 00000 n hb```b``b`a``cad@ A6 daxP`Bca4 R@9Tjx5n$_L]r0:G\KE. The Expressive Computation Lab (ECL) is a research group within the Media Arts and Technology Department at the University of California Santa Barbara directed by Prof. Jennifer Jacobs. M. Arch+Certificate of Specialization in CAAD (Computer Aided Architectural Design), Ohio State University, Professor (specialties: Media and Virtual Architecture, Transvergence, TransArchitecture). His 2005 CD/DVD album POINT LINE CLOUD was re-issued by Presto!? The Slowscan label released in 2021 a collection of his electronic music on vinyl LP. What You Don't Know About Meby Jennifer Jacobs. Professor hb```b``9sAc[XgzIw6DeaXP!jU"3g2Fss4>y~e+sKCLV$*>3-Gy5bw/k U5 College of Engineering - UC Santa Barbara. Research in HCI, with focus on AR/VR, InfoVis, 3D displays and UI, Computer Vision, contextual and social computing. 2. From 2014-2015, she was a Robert Wood Johnson Foundation wellbeing research fellow at the Media Lab. University of California Santa Barbara Elings Hall Room 2215 Santa Barbara, CA, 93106 jmjacobs@ucsb.edu jenniferjacobs.co Research Interests . Technical Director, AlloSphere Research Facility. Sarah Rosalena Brady is Assistant Professor of Art at UC Santa Barbara in Computational Craft and Haptic Media. by | Jun 10, 2022 | maryland gymnastics meets 2022 | gradient learning headquarters | Jun 10, 2022 | maryland gymnastics meets 2022 | gradient learning headquarters UC Santa Barbara Alumni. He received the Masters of Architecture at Ohio State university in 1983. Jennifer Jacobs. Office: ED 3262, University of California, Santa Barbara 0000000016 00000 n All rights reserved. She serves as Director and Chief Scientist of the AlloSphere Research Facility. A composer of primarily electro-acoustic works, her music has been performed throughout the United States, Europe and Asia. His publications include several articles in journals and a book on 20th century music theory. Fabian Offert is Assistant Professor for the History and Theory of the Digital Humanities in the Department of Germanic and Slavic Studies at the University of California, Santa Barbara. UC Santa Barbara Jennifer Jacobs Login to UC Santa Barbara. 0000008235 00000 n Tim Dewar Collectively, my research demonstrates how developing computational workflows, representations, and interfaces for manual and physical making can enable manual creators to leverage existing knowledge and skills. His studio in Beijing specializes in live music performance over highspeed networks. 1306 0 obj <> endobj xref He completed a PhD in Music at the University of New York at Stony Brook. Whilst articulating highly fluent theory, he has practiced, producing beautiful ethereal architectures that flux and shimmer as his algorithms run their designed logics. Jennifer Jacobs is an Assistant Professor in Media Arts and Technology at the University of Santa Barbara. The visualization is scheduled for operation until 2019, with approximately 30000 items checked-out per day resulting at this time, in a collection of over 90 million datasets. Organizations from academia, industry, government, and the non-profit sector that collaborate with UChicago CS. In 2016 he was awarded the Giga-Hertz Prize by the ZKM, Karlsruhe, and Sudwest Rundfunk, Baden-Baden. Lab: room 3005 (Systemics Lab), Elings Hall. 0000003807 00000 n A composer of mixed media works, she received her Ph.D in 1984 from the Eastman School of Music, University of Rochester. Alenda Chang joined the UCSB faculty in 2015, following two years as a digital humanities and environmental literature professor at the University of Connecticut (Ph.D. He taught electronic music composition at Harvard University and sound synthesis techniques at the University of Naples Federico II. Office: ED 3224, Katie Blackwell Misha Sra is the John and Eileen Gerngross Assistant Professor and directs the Perceptual Engineering Lab in the Computer Science department at UCSB. 0000001761 00000 n Media Arts and Technology. Previously, heworked at the Harvard Microrobotics Lab and the ETH Multi-scale Robotics Lab. ECL is seeking PhD students in MAT or CS for the 2020-2021 academic year. 0000007725 00000 n dyoung@ucsb.edu, Jennifer Scalzo Santa Barbara CA 93106-9490. In 2013-2016, he collaborated with programmer Sekhar Ramakrishnan to design SpatialChords, a front-end to Ramakrishnans Zirkonium spatializer program, based on a theory of "spatial chords" or geometric forms in three-dimensional sound space. Tim Dewar She is the recipient of a Brain and Behavior Young Investigator Award, a Robert Wood Johnson Foundation . My research lab investigates . In 2010-11, he shared a Collaborative Research Fellowship from the American Council of Learned Societies with Cyrus Mody (Rice University) and Mara Mills (NYU) which will help support the writing of this book as well as a new project on "high tech intellectuals". As AI decouples intelligence from consciousness, as XR technologies transform perception, and as matter becomes machine manipulable, three key questions about the future arise: 1) what will newer AI-infused experiential interfaces look like where digital bits occupy space and algorithms have faces, 2) what can we learn about human behavior through human-AI interaction and how can AI models learn from human behavior, and 3) how will a shift from data-centric to human-centric AI systems augment our capabilities and enrich our lives? Email: alumni@alumni.ucsb.edu (805) 893-2957 tel (805) 893-4918 fax. %PDF-1.4 % Cyborgs and Space. 0000001375 00000 n Professor Tague is currently modeling the impacts of climate change on stream-flow patterns in the western United States and examining how urbanization alters drainage patterns and associated biogeochemical cycling in watersheds in Baltimore, Maryland, and Southern California. Assistant Professor, Media Arts and Technology and Computer Science (by courtesy), The Expressive Computation Lab's objective is to foster the development of expressive computational tools for art, design, and engineering. His textbook The Computer Music Tutorial (1996, The MIT Press) is widely adopted as a standard classroom text and has been published in French (1999, third edition 2016), Japanese (2001), and Chinese (2011). Karin Lohwasser We're sorry but personalwebsite doesn't work properly without JavaScript enabled. Composer Joo Pedro Oliveira holds the Corwin Endowed Chair in Composition for the University of California at Santa Barbara. Dr. Jacobs is a faculty member at UC Santa Barbara in Media Arts and Technology and Computer Science (by courtesy). Jacobs works across the fields of computational art and design, human-computer interaction, and systems engineering. Specialization: Data visualization, computation & photography, interactive media art installation, mobile robotic multi-camera imaging. Faculty & Staff. Media Arts and Technology/Expressive Computation Lab, University of California Santa Barbara, United States, Jennifer Mary Jacobs. The culmination of her design is the AlloSphere Research Laboratory, a three-story metal sphere inside an echo-free cube, designed for immersive, interactive scientific and artistic investigation of multi-dimensional data sets. Santa Barbara CA 93106-9490, 2022 The Regents of the University of California, All rights reserved.Terms of Use Accessibility Non-Discrimination Policy Title IX Feedback Land Acknowledgement, Department of Counseling, Clinical, & School Psychology, Center for School-Based Youth Development, Social Tools and Rules for Teens/Transitions (START) Programs, Parent-Child Interaction Therapy (PCIT) Clinic, The Gevirtz School (GGSE) - UC Santa Barbara, Hosford Counseling & Psychological Services Clinic, CA Teacher Education Research & Improvement Network, International Center for School-Based Youth Development, Dean's Lecture Series on Education, Diversity & Democracy, Harding University Partnership School Community Resource Center, From Ocean & El Colegio Newsletter Archive. He edited the anthology Musical Signal Processing in 1997. and B.F.A from Hunter College and the University of Oregon respectively. and Ph.D. degrees in Computer Science from the University of California, San Diego (UCSD). She was Chief Scientist of the Program from 1998 to 2003. The University of Georgia, +2 more Jennifer Jacobs Social Worker at Sir Moses Montefiore Jewish Home Greater Sydney Area. Dr. Cabrera worked for more than six years as a professional sound designer and audio engineer and has taught at the undergraduate and graduate level in three countries. Dr. Kuchera-Morin is a composer, Professor of Media Arts and Technology and Music, and a researcher in multi-modal media systems, content and facilities design. loh2o@ucsb.edu Copyright 2023. Office: ED 3206, World Language (Spanish) Jennifer Jacobs, Assistant Professor Media Arts Technology Program Gregory Johnson, Professor Religious Studies Georgios Koutroulakis, Lecturer PSOE Physics . Connect. 7L\:v~7Yma{f-]"+P n]eph&dk@KAn+l94#sPkJ\Weje*KP Wl". Sep 2019 - Jun 20211 year 10 months. Ken is on the editorial board of the Journal of Organised Sound and advisor to the Electroacoustic Music Studies Asian Network (EMSAN). 1306 28 David Young In Proceedings of the ACM SIGCHI Conference on Human Factors in Computing Systems, Denver, Colorado, USA, April 2017. Specialties: computer vision, human-computer interaction, multimodal/perceptual interfaces, gesture recognition. Jacobs received a BA in English Language and Literature from Iowa State University in 1993. W. Patrick McCray is a professor in the History Department at UCSB. Jennifer Jacobs, Sumit Gogia, Radomir Mech, and Joel Brandt. Click Here to Login with UCSB Net ID. amber.moran@ucsb.edu Job 1, Jennifer Jacobs' debut program with The Beachbody Company, invites you to give your health the same commitment you would any other job for real fitness results in just four weeks. Office: room 2205. Snap, United States and Computer Science, Princeton University, United States, Michael Nebeling He is also principal investigator of the UCHRI multi campus research group "Critical Machine Learning Studies" (2021-23), and the international research project "AI Forensics" (2022-25), funded by the VW foundation. The new paradigm of computing, harnessing quantum physics. 0000005189 00000 n kblackwell@ucsb.edu Since then, Jennifer had been continuing to work on her "JMETHOD" brand, as well as teaching classes through "Ladder Teams" platform . We envision a future for computational production where software and hardware tools are truly shaped by the people who use them. Jennifer Jacobs researches ways to support expressive computer-aided design, art, and manufacturing by developing new computational tools, languages, and systems that integrate emerging forms of computational creation and digital fabrication with traditional materials, manual control, and non-linear design practices. Single-Subject (SST, Secondary) Tim Dewar tdewar@ucsb.edu Office: ED 2218. 735 0 obj <> endobj xref A researcher at MIT (1980-1986), he also worked in the computer software industry for a decade. 0000000856 00000 n . Her research examines ways to diversify participation and practice in computer programming by building computational tools for art, design, digital fabrication, and craft. Phone: (813) 974-7522. He was in charge of computer music from 1982-1994 at the Darmstadt Summer Courses for New Music and from 1984-2005 at Cologne Music University. Since 2015, he has hosted The Unknown Territories, a weekly radio broadcast about contemporary science and experimental music. Rooms 2024 and 2005, Elings Hall. As a historian, McCray is fascinated by the visions of the future that litter the past. Research has been funded by the National Science Foundation, the Robert W. Deutsch Foundation, UCSB Center for NanoTechnology in Society, University of California Faculty Senate Research Grants, University of California Institute for Research in the Arts. Before joining the faculty at UCSB, he served as postdoctoral researcher in the DFG SPP "The Digital Image", associated researcher in the Critical Artificial Intelligence Group (KIM) at Karlsruhe University of Arts and Design, and Assistant Curator at ZKM Karlsruhe, Germany. Professor Jennifer Jacobs is Assistant Professor at the University of California Santa Barbara in Media Arts and Technology and Computer Science (by courtesy). The new release (2021) includes support for Open Sound Control. My particular expertise in this area is vision-based interfaces, using computer vision as an input modality: tracking, recognizing, and modeling people and their activity. Prior to UCSB, she was an Instructor at Harvard Medical School and the Department of Medicine/Division of Women's Health at Brigham & Women's Hospital. jjacobs00@ucsb.edu. MIT selected her as an EECS Rising Star in 2018. Department of History, 3251 Humanities and Social Sciences Building, www.history.ucsb.edu/faculty/w-patrick-mccray. With over 20 years of research experience in audio and digital signal processing, he was a long time contributor to the Csound language and developed the widely-distributed Csound development environment CsoundQt. in Computer and Electrical Engineering. Media Arts and Technology. My idea of a perfect meal: One that is shared with family, friends, or loved ones. She is director of the Expressive Computation Laba group whoseresearchspanscomputational art and design, human computer interaction, and systems engineering. Cc bi vit c nh du. 1960). Department of Germanic and Slavic Studies. . Computers are becoming more ubiquitous, appearing in a proliferation of shapes and sizes. Her research has been presented at leading human-computer interaction research venues and journals including UIST, DIS, SIGGRAPH, and, most prominently, at the flagship ACM Conference on Human Factors in Computing Systems (CHI), where she received two best paper awards and one best paper honorable mention award in the past four years. with your company email address. Chandra Krintz is a Professor at the University of California, Santa Barbara (UCSB). Copyright 2023 The Regents of the University of California, All Rights Reserved. His musical and multimedia work has included diverse collaborations and media with an emphasis on interactivity and user involvement. Her research lab investigates ways to support expressive computer-aided design, art, craft, and manufacturing by developing new computational tools, abstractions, and systems that integrate emerging forms of computational creation and digital fabrication with traditional materials, manual control, and non-linear design practices. Science 220 (4598), 737-739, 1983. She works across the fields of computational art and design, human computer interaction, and systems engineering. The Laws of Cool: Knowledge Work and the Culture of Information, Local Transcendence: Essays on Postmodern Historicism and the Database, Transcriptions: Literature and the Culture of Information, Literature and the Culture of Information, Transliteracies: Research in the Technological, Social, and Cultural Practices of Online Reading. In spring 2016, she received the Silver Award in the annual Edison Awards Global Competition that honors excellence in human-centered design and innovation. Hybrid Practice in the Kalahari: Design Collaboration through Digital Tools and Hunter-Gatherer Craft. Proceedings of the ACM SIGCHI Conference on Human Factors in Computing Systems, Paris, France, April 2013.

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